Sharon Osbourne Bio | Life and Career | Filmography |
Secret by Yanni (Truth of Touch)
A Walk in the Clouds OST - 03. The Harvest - Maurice Jarre
Chris Brown feat. Usher & Rick Ross - New Flame
Dj Jazzy D ft Jody Williams Lady Soul
Backstreet Boys - All I Have To Give
The Simpsons Movie Theme
Jill Scott - Love Rain (Ft.Mos Def)
Keny Arkana - Capitale de la Rupture
Big Daddy Kane - Aint No Half Steppin
Katy Perry - Dark Horse (Official) ft. Juicy J
Blind chef Christine Ha - Classic American Pie - MasterChef USA
Blind chef Christine Ha - Sashimi - MasterChef USA
Accuracy and Precision
I guess when people are asking for accuracy it means do it as I say, when it comes to precision one can only outline basic guidelines while principles in implementation drives logic to the point/extent. What does it take to be on point when someone is surrounded by a variety of people? When it comes to ages I suppose the gravity of responsibility determines the pursuit of goals. If a target isn't identified then how does one instruct people to achieve? It becomes a what ever.
When I am in business I have steps. My precision is based on looking/seeing 2 to 3 steps ahead, this enables me to collect the elements that I need to create a piece. I pull in aspects from personal, socials or technicals to stage a proposition and with that I create an imagery for a game or movie, as regards accuracy in creatives it only has a place as elements to bounce off ideas.
Understanding Military Ballistics: Theory & Engineering
In directing actors I presume there is always 1 main actor and 1 or 2 supporting actors within a scene. Reason why it's such is because of space within a stage or the amount of cameras that maybe available, so for those who are interested in making movies that's what to consider, same applies to making ads.
Every scene has a purpose, every actor has a mission, who is influencing who and how, I would suppose that makes the dynamics of emotions felt. The easiest to start with is one actor however an actor ought to either be in motion or speak in emotions, would be interesting to make a short piece on how one actor goes through an entire movie with no one around yet able to show a storyline, I am sure someone has done this before. It's all about interaction with an environment.
In a more complex piece each character is assigned an image to project, every movie has a genre but within a movie there is what is called purpose, it's either digressive, neutral or progressive, taking these 3 words a film/script can be structured in stages, while all actors switch from a type into another simply because in interacting there is always a change to produce effects.
Most drama movies are progressive ie advocates a point and through stages it shows its progression from one stage/change/evolution into another and reaching a solution/end. "people/actors tend to present themselves or issues either as progressives or traditionalists"
Most romantic movies are neutral ie shows moments of drama but for the most part its made of relationship based aspects, so for the most part it's visuals with witty dialogues rather than an ought right debate on issues. It can be heavy but for the most part its kept light mannered a romantic piece with heavy undertones is drama.
Most action movies are digressive in my view. Each scene is reducing or increasing by gradual amounts and often its components are things or physical impact on persons with the use of things, very little dialogue is used in those instances and it's mainly rhetoric's one liners indicating intent; defence vs offence tactics, of course at the beginning or in the end there is a story line as a conclusion.
Just placing thoughts down will work on this a bit later to structure an easy formula for easy use so youth can understand. Hate to loose clues which is why I sound disorientated sometimes.
How to find your passion and inner awesomenes | Eugene Hennie | TEDxMMU
Fat Joe feat R. Kelly - We Thuggin
Fat Joe ft. Nelly - Get it Poppin
DMX - We Right Here
DMX - What's My Name?
Touch It
Busta Rhymes - Dangerous
As a rule the idea of being awesome doesn't come into consciousness in most people because as kids they are brought up on negatives rather than an objective outlook on self, society be it what's immediate or a view point on the world at large which is what I call biased based upbringing. Should an objective view be outlined about personal identity people are likely to see within themselves and others complimentary factors rather than viewing the world from a critical eye alone.
Passions source is in interest, it's the drive to succeed at a goal, inner awesomeness is the confidence to do it, it is in part self affirmation and knowledge of an environment or craft. The further one excels the more confident one becomes. Determination to hold on despite all the negative feedback cultivates will.
Shakira - La La La (Brazil 2014) ft. Carlinhos Brown
Beyoncé - Naughty Girl
11 - EYES LIKE YOURS (OJOS ASÍ)
Beyoncé - Jealous
Labrinth - Earthquake ft. Tinie Tempah
Labrinth - Beneath Your Beautiful ft. Emeli
Dakota Fanning Bio | Life and Career | Filmography |
Frankie Gaye And Mary Wells - Once Upon A Time
Whoopi Goldberg - Sister Act - Oh Maria
Eva Mendes Bio | Life and Career | Filmography
Billy Ray Cyrus - Somebody New
Aggggrrrrr lust is an emotion love is action without either none exists. Weaknesses identified through dislikes are temporary, strengths identified through likes can become a nuisance, what I focus on is threats and opportunities these are just as subjective as strengths and weaknesses none of which is static simply because they are circumstantial. What people like or hate has to do with what affects them positively or negatively. My kind of person tends to look at myself in the mirror rather than projecting hopes or wishes on another. In the words to say I want you, I need you hence I love you but can we be together? That question mark isn't questioning the other but self, it is a reflective feeling. From afar it's hard to love someone, memories created separates or binds people, if people stop making personal moments then it's sionara.
Claire Danes Bio | Life and Career | Filmography |
Anyone who looks a at me and thinks that I can't be a slut, a spinster and a woman is seriously undermining themselves. To be prejudice is an illusive state of mind driven by the internal desire to control rather than letting someone free through a handshake. When someone doesn't want to be free they usually send a body language that projects argument, a form of protest with a rigid posture. Intentions gives people who are on defencive mode into giving themselves out through body language which follows/leads the verbal tone expression. Have no fear for I am with you.
Secret by Yanni (Truth of Touch)
A Walk in the Clouds OST - 03. The Harvest - Maurice Jarre
Chris Brown feat. Usher & Rick Ross - New Flame
Dj Jazzy D ft Jody Williams Lady Soul
Backstreet Boys - All I Have To Give
The Simpsons Movie Theme
Jill Scott - Love Rain (Ft.Mos Def)
Keny Arkana - Capitale de la Rupture
Big Daddy Kane - Aint No Half Steppin
Katy Perry - Dark Horse (Official) ft. Juicy J
Blind chef Christine Ha - Classic American Pie - MasterChef USA
Blind chef Christine Ha - Sashimi - MasterChef USA
Accuracy and Precision
I guess when people are asking for accuracy it means do it as I say, when it comes to precision one can only outline basic guidelines while principles in implementation drives logic to the point/extent. What does it take to be on point when someone is surrounded by a variety of people? When it comes to ages I suppose the gravity of responsibility determines the pursuit of goals. If a target isn't identified then how does one instruct people to achieve? It becomes a what ever.
When I am in business I have steps. My precision is based on looking/seeing 2 to 3 steps ahead, this enables me to collect the elements that I need to create a piece. I pull in aspects from personal, socials or technicals to stage a proposition and with that I create an imagery for a game or movie, as regards accuracy in creatives it only has a place as elements to bounce off ideas.
Understanding Military Ballistics: Theory & Engineering
In directing actors I presume there is always 1 main actor and 1 or 2 supporting actors within a scene. Reason why it's such is because of space within a stage or the amount of cameras that maybe available, so for those who are interested in making movies that's what to consider, same applies to making ads.
Every scene has a purpose, every actor has a mission, who is influencing who and how, I would suppose that makes the dynamics of emotions felt. The easiest to start with is one actor however an actor ought to either be in motion or speak in emotions, would be interesting to make a short piece on how one actor goes through an entire movie with no one around yet able to show a storyline, I am sure someone has done this before. It's all about interaction with an environment.
In a more complex piece each character is assigned an image to project, every movie has a genre but within a movie there is what is called purpose, it's either digressive, neutral or progressive, taking these 3 words a film/script can be structured in stages, while all actors switch from a type into another simply because in interacting there is always a change to produce effects.
Most drama movies are progressive ie advocates a point and through stages it shows its progression from one stage/change/evolution into another and reaching a solution/end. "people/actors tend to present themselves or issues either as progressives or traditionalists"
Most romantic movies are neutral ie shows moments of drama but for the most part its made of relationship based aspects, so for the most part it's visuals with witty dialogues rather than an ought right debate on issues. It can be heavy but for the most part its kept light mannered a romantic piece with heavy undertones is drama.
Most action movies are digressive in my view. Each scene is reducing or increasing by gradual amounts and often its components are things or physical impact on persons with the use of things, very little dialogue is used in those instances and it's mainly rhetoric's one liners indicating intent; defence vs offence tactics, of course at the beginning or in the end there is a story line as a conclusion.
Just placing thoughts down will work on this a bit later to structure an easy formula for easy use so youth can understand. Hate to loose clues which is why I sound disorientated sometimes.
How to find your passion and inner awesomenes | Eugene Hennie | TEDxMMU
Fat Joe feat R. Kelly - We Thuggin
Fat Joe ft. Nelly - Get it Poppin
DMX - We Right Here
DMX - What's My Name?
Touch It
Busta Rhymes - Dangerous
As a rule the idea of being awesome doesn't come into consciousness in most people because as kids they are brought up on negatives rather than an objective outlook on self, society be it what's immediate or a view point on the world at large which is what I call biased based upbringing. Should an objective view be outlined about personal identity people are likely to see within themselves and others complimentary factors rather than viewing the world from a critical eye alone.
Passions source is in interest, it's the drive to succeed at a goal, inner awesomeness is the confidence to do it, it is in part self affirmation and knowledge of an environment or craft. The further one excels the more confident one becomes. Determination to hold on despite all the negative feedback cultivates will.
Shakira - La La La (Brazil 2014) ft. Carlinhos Brown
Beyoncé - Naughty Girl
11 - EYES LIKE YOURS (OJOS ASÍ)
Beyoncé - Jealous
Labrinth - Earthquake ft. Tinie Tempah
Labrinth - Beneath Your Beautiful ft. Emeli
Dakota Fanning Bio | Life and Career | Filmography |
Frankie Gaye And Mary Wells - Once Upon A Time
Whoopi Goldberg - Sister Act - Oh Maria
Eva Mendes Bio | Life and Career | Filmography
Billy Ray Cyrus - Somebody New
Aggggrrrrr lust is an emotion love is action without either none exists. Weaknesses identified through dislikes are temporary, strengths identified through likes can become a nuisance, what I focus on is threats and opportunities these are just as subjective as strengths and weaknesses none of which is static simply because they are circumstantial. What people like or hate has to do with what affects them positively or negatively. My kind of person tends to look at myself in the mirror rather than projecting hopes or wishes on another. In the words to say I want you, I need you hence I love you but can we be together? That question mark isn't questioning the other but self, it is a reflective feeling. From afar it's hard to love someone, memories created separates or binds people, if people stop making personal moments then it's sionara.
Claire Danes Bio | Life and Career | Filmography |
Anyone who looks a at me and thinks that I can't be a slut, a spinster and a woman is seriously undermining themselves. To be prejudice is an illusive state of mind driven by the internal desire to control rather than letting someone free through a handshake. When someone doesn't want to be free they usually send a body language that projects argument, a form of protest with a rigid posture. Intentions gives people who are on defencive mode into giving themselves out through body language which follows/leads the verbal tone expression. Have no fear for I am with you.
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